March Whats on your workbench?

Brandon Yuchasz

Well-known member
There is a lot of decoys on my workbench and several on the paint bench. None of which are going to be ready for next weekend although I suppose I could have thrown one of these in the pool just for fun.

All cedar and oils, all wet on wet painting and I don't think they are getting eyes or any dry detail painting.

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Worse part about the March workbench thread is the fact that I don't think we will be seeing any work by Jode I always look forward to seeing what he is up to. It sure will be a great day when we do get to see it again in these threads though.
 
Brandon,
Beautiful birds...I'd be proud to drop shot on those. Love your style.

Ya know, a good friend of mine (passed now) Ed Walicki (several times World Fish Carving Champion) used to do a thing at the Trout Bum BBQ up at the Fly Factory in Grayling. We used to have a big bon fire Saturday evening and they'd put a large log into the fire. After it burnt for a while, Ed would pull it out, quench it and then do a fish carving of the fish coming "out of the ashes" and it was auctioned off the following year.
Wonder if Jode has something that would work for ..."...out of the ashes" to commemorate his "new beginnings" after the fire. Just a thought.
Lou
 
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I finally finished it, my first decoy. Its black cork with a pine head. I have some things i want to do differently on the next one, like how i did the eyes and not happy with the breast/belly color. I figured out which brush i needed to use for the dots after i got all done.

The lighting suggests the back of the head and neck are darker than they really are.....the blended black only really covers from the bill to about even with the eyes on the back of the head.

Please feel free to critique




 
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Ya know, a good friend of mine (passed now) Ed Walicki (several times World Fish Carving Champion) used to do a thing at the Trout Bum BBQ up at the Fly Factory in Grayling. We used to have a big bon fire Saturday evening and they'd put a large log into the fire. After it burnt for a while, Ed would pull it out, quench it and then do a fish carving of the fish coming "out of the ashes" and it was auctioned off the following year.
Wonder if Jode has something that would work for ..."...out of the ashes" to commemorate his "new beginnings" after the fire. Just a thought.
Lou


Terrible thing that happened to Jode but I had similar thoughts when I saws some of the burnt building photos. I do hope Jode salvages at least a few boards from the ashes so that he can carve a very special and personal decoy for himself.
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Mark~

Great job!

re Those pesky dots...one traditional technique for putting these little spots on is to use the end of a small diameter (1/8, 3/16) dowel, and just daub them on with a little bit of paint. (NOTE: I have not tried this myself....)

I look forward to Decoy # 2

SJS
 
Always love this thread. So much nice work. This was the last pair of ducks I finished before the fire. Maybe a little while. before I have anything completed to share.


 
First of all, like I said in an earlier post, I wish my first decoys had looked as nice as yours. Nice job.

as for painting the spots....I thought you did a good job of doing a gunning paint job on the spots..... as you progress as a carver and painter, you will want to add more detail and realism. Spots on BWT drakes and the chest of GWT drakes will be of different apperances and darknesses/tones due to the fact that some spots are clearly exposed on feather edges, others are partially exposed, and some are showing through one or more layers of feathers. So not all of the spots will be black/dark. There will be a heck of a lot more spots of varying shapes and tones than most of us really want to paint, especially on a BWT drake! So finding a trick to paint them quickly and consistently is a boon, especially on gunners............

Since BWT drakes were never seen in full plumage where I gunned, I solved the problem by only making one on a commission for Charley Moore, and then never making another. I did a number of GWT drakes, but the chest is so small an area, I could muddle through, even painting each spot with a brush.

the dowel trick works great for painting eye spots on poppers, and then using a smaller dowel or nail head to do the pupils. The key is getting the right consistency of the paint which is not too bad a task if using tube type paints, BUT, for painting spots on decoys you might want to try taking an old, beat up, ready to throw away round style of brush, like sable, and cutting it off 1/4 to 1/2 inch from the metal part of the brush that holds the bristles. Held vertically, with the right consistency of paint, this is another way to daub and paint some spots fairly quickly and consistently. It takes practice and experimentation with the size of round brush used and the distance you want the bristles cut from the metal tube. Another method I have seen used, but never personally done, is to cut foam from a foam paint brush into a short round cylinder and use that like a dowel to daub the paint.

Mike
 
Brandon - The drake on the left has some Perry Wilcoxen in the head.

Mark - I like the movement in the head.

Jode - Beautiful mergs. You have many more decoys to come.

I love trying different things. Over the years, I've learned more from my failures than my successes. In decoys, some of my biggest failures led to my greatest successes. When carving decoys, don't be scared to try things. Remember, it's only a block of wood and, you can always paint over it...

Graduating from Hillsdale College, in Hillsdale Michigan, I've always had a heart for Michigan outdoors and, consequently, Michigan decoys. I marvel at the great masters like Ferdinand Bach, Jim Kelson, Walt Struebing and of course, the great Ben Schmidt. In the 1980's I hooked up with some Michigan carvers that were emulating Ben Schmidt. This led me to meet Walt Snow and eventually his son, Ron Snow. One thing the vintage Michigan carvers were masters at were production type detail. They were great at tooling. Ben Schmidt developed a steel stamp to stamp feathers into a decoy quickly. I've always marveled at the efficiency and effectiveness of this technique.

Here are a pair of bills I did yesterday with stamping on both the drake and the hen. You simply place the stamp where you want it on the decoy and give it a wack with the hammer. These particular decoys are solid white pine and, very ecclectic in pattern. The heads are my great grandpa's bluebill head pattern, the body is Henry Taubert and the stamping is reminiscent of Ben Schmidt. I can even see a little Jim Kelson in them... Take risks when you carve, they pay off...
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A special thanks to Bob Hayden for the stamps.
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Great looking decoys by all of you guys!!! Pat, looking forward to seeing those Bluebills painted up......
I have several decoys that I have made and finished up in the last couple of months but I don't know how to post up pictures. I am nowhere near as talented as you guys but there is nothing better than hunting over decoys you made....
This is my favorite thread on this page, always something new to see!


Tim
 
I am impressed with the stretching you do in terms of trying different things. I have always been a fan of Ben Schmidt and thought that his genius was not in the stamping, but developing a way of painting that was the perfect compliment for the stamping.

I do not have the ability to shift that much, wish I did, and therefore I appreciate how difficult it is to drop your own personal style to make decoys that are a tribute to the classics of others.

Kudos to you! I'd love to not only see posts of the completed eclectic/Schmidt/stamped decoys, but maybe any of the stages in the painting process you are willing to share, so I and other duckboats members can get an idea how the originals and yours were painted after the stamping.

Do you seal the wood before or after the stamping?

Mike
 
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