Steve Sanford
Well-known member
Good morning, All~
A recent post asked whether a particular firearm ever "spoke" to you. Of course, most of us would answer with an emphatic YES! So, too, is it with decoys I would wager.
I detected the alluring tones of this Broadie-beak's siren song early Saturday morning at Tuckerton. Although not a true collector (my tastes outrun my checkbook....), I nevertheless find a bird or two every so often that I would enjoy having around - not to hunt, just to look at and share my shop with. This decoy is the most recent addition.
View attachment sm WF Broadbill 01.JPG
It has everything I enjoy/require. First, it was a Wildfowler. Next, it was both affordable (mid 2-figures) and an obvious re-paint. The re-paint is important to me because it means I can have a free hand in restoring/rehabbing/re-imagining without worrying about altering the value (both intrinsic and market) of original paint.
The head posture is what sealed the deal for me. Although not as deeply tucked, it reminds me of this famous bird from Joel Barber's seminal Wild-fowl Decoys - which I first read when I was 12. It is not a standard posture - I would love to learn the story behind it.
View attachment sm WF Broadbill 01A John C. Phillips Blue-Bill Sleeper - J. Barber p 96.jpg
Another "must" for me is the brand - the Wildfowler logo stamped or burned into the bottom. I will try to "recover" this during my restoration. Although I lean toward those from Old Saybrook (CT) or Quogue (LI), this Point Pleasant (NJ) bird emanates much of Ted Mulliken's genius.
View attachment sm WF Broadbill 06 - Brand.JPG
This is a larger model - I believe the Superior - with a body carved from Balsa.
View attachment sm WF Broadbill 02 - FULL rolled.JPG
This shows the hard "chines" and keel so typical of Wildfowlers.
View attachment sm WF Broadbill 03 - bottom.JPG
The Broadbill is my favorite duck and my favorite decoy. The "broad bill" is challenging to carve - and this one is fabulous to my eye.
View attachment sm WF Broadbill 04 Head and Bill.JPG
This seam has opened up between 2 slabs of Balsa.
View attachment sm WF Broadbill 05.JPG
The head has dried out at some point - and needs some attention. But, both eyes are good and the bill is intact.
View attachment sm WF Broadbill 07 Head profile.JPG
The head was also loose. It was easy to remove with some gentle prying with my flat bar and then some slow and careful twisting up and out.
View attachment sm WF Broadbill 08 - body with head removed.JPG
The dowel was still well-glued to the head - but had let go of the body.
View attachment sm WF Broadbill 09 - head removed.JPG
Stay tuned!
SJS
A recent post asked whether a particular firearm ever "spoke" to you. Of course, most of us would answer with an emphatic YES! So, too, is it with decoys I would wager.
I detected the alluring tones of this Broadie-beak's siren song early Saturday morning at Tuckerton. Although not a true collector (my tastes outrun my checkbook....), I nevertheless find a bird or two every so often that I would enjoy having around - not to hunt, just to look at and share my shop with. This decoy is the most recent addition.
View attachment sm WF Broadbill 01.JPG
It has everything I enjoy/require. First, it was a Wildfowler. Next, it was both affordable (mid 2-figures) and an obvious re-paint. The re-paint is important to me because it means I can have a free hand in restoring/rehabbing/re-imagining without worrying about altering the value (both intrinsic and market) of original paint.
The head posture is what sealed the deal for me. Although not as deeply tucked, it reminds me of this famous bird from Joel Barber's seminal Wild-fowl Decoys - which I first read when I was 12. It is not a standard posture - I would love to learn the story behind it.
View attachment sm WF Broadbill 01A John C. Phillips Blue-Bill Sleeper - J. Barber p 96.jpg
Another "must" for me is the brand - the Wildfowler logo stamped or burned into the bottom. I will try to "recover" this during my restoration. Although I lean toward those from Old Saybrook (CT) or Quogue (LI), this Point Pleasant (NJ) bird emanates much of Ted Mulliken's genius.
View attachment sm WF Broadbill 06 - Brand.JPG
This is a larger model - I believe the Superior - with a body carved from Balsa.
View attachment sm WF Broadbill 02 - FULL rolled.JPG
This shows the hard "chines" and keel so typical of Wildfowlers.
View attachment sm WF Broadbill 03 - bottom.JPG
The Broadbill is my favorite duck and my favorite decoy. The "broad bill" is challenging to carve - and this one is fabulous to my eye.
View attachment sm WF Broadbill 04 Head and Bill.JPG
This seam has opened up between 2 slabs of Balsa.
View attachment sm WF Broadbill 05.JPG
The head has dried out at some point - and needs some attention. But, both eyes are good and the bill is intact.
View attachment sm WF Broadbill 07 Head profile.JPG
The head was also loose. It was easy to remove with some gentle prying with my flat bar and then some slow and careful twisting up and out.
View attachment sm WF Broadbill 08 - body with head removed.JPG
The dowel was still well-glued to the head - but had let go of the body.
View attachment sm WF Broadbill 09 - head removed.JPG
Stay tuned!
SJS